"Diversity" Opens Today

Posted by GwangJu (at 2011/08/25 08:24)

Eunam Museum, an upstairs private space on “art street,” welcomes “Diversity” an exhibit put together by curator Lee Hye Seong. This blog and others have announced the show, which has its opening at 6pm on Thursday August 25. Come enjoy the show.


First a note about the importance of multi-cultural jamborees in all fields, and then a guide to “which artist makes which work” that we see in the promotional poster.


Lee Hye Seong, who put this show together after her excellent “President Noh Memorial Exhibit” closed in Seoul, knows every nook and cranny of the art scene in Gwangju, and has assembled a decent representation in this show. Not bogged down by being all from one “art group,” and with the determination to use an exhibit to launch multicultural dialogue, Lee found enough foreign talent to balance Gwangju’s over-abundance of artistic masters.


In a time when local actions may be what helps us survive the onslaught of global economic malaise, the hope is that a huge multi-cultural turn-out an help to raise awareness of the many talents Korea’s English teachers posses. There is a chance this quality citizen diplomacy will lead to more, art projects, and creative bridge-building, just at a time when a cohesive neighborhood can provide shelter from unappealing realities.


Beauty trumps all, right?


Here is the poster I am referring to in the following mini-write-ups.



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Here are the creators, with #1 starting in the top left corner, to # 18 at the bottom right, as if reading a book:


  1. Sook-nam Song , Human in a Human, Print

Suk Nam Song expresses turbulent relationships using motion to underscore emotional motifs, resulting in dramatic narratives.


  1. Anjee Disanto, Barefoot, Dirty & Magical, Digital print

Ms. Disanto, so painterly with her photographs, it makes you wonder what would happen if she had a paintbrush in her hand, uses her work to express what she finds as a self-proclaimed anthropologist in quest of cultural knowledge everywhere.


3. Choi, Jae- young, Korean Wrestling, Acrylic on Canvas

Choi’s alluring doll figures mix the immediate impact of caricature with the technical prowess to examine all aspects of human life through his characters interplay. Large realistic heads cause viewers to stop to figure out which part of human experience is being portrayed.


4. Ju-hee Kim, Flora, Rosestone, Gold, Jade

This hand-carved jewelry arranges petals of gemstones in a vase of gold the way that grabs the eye like an Ikebana flower display.


5. Oh, Byungwuk, Chair11-1, Silver & Gumboo

Classic lines, and a professional attention to detail make Professor Oh’s recognizable sculptures

a highlights of the exhibit.


6. Nadine Bouliane, Under Cover, Mixed media

Nadine Bouliane, who is as adept at photography as painting, uses the recurring patterns found in nature, 60’s pop posters and paisley to create a dreamscape that can be interpreted in many ways.


7. Jo, Yongshin , Touch in Between, Video Installation

“Touch in Bewteen” invites viewers to look at how a universal experience, touch, can create bonds between extremely diverse cultures. Can art create intimacy strong enough to save the world?


8. Doug Stuber, Avatar Transportation, Opus 1792, Acrylic on Canvas

My work expresses how I feel. Narrowing to pure expression is the goal, and occasionally recognizable subject matter pops up post facto. Preserving what is left of nature is a daily goal.


9. Kwang Suk Park, In Jido's Mist, Watercolors and Ink on Rice Paper

Kwang Suk melds her lifelong interest in shamanism into paintings that attest to her dedication to themes that expose the inner workings of women.


10. Gilda Sénécal Wilson, Ewer, Oil on wood

An adept classical approach to art serves to remind viewers that Gilda’s paintings succeed in teir goal of making a permanent statement in an era disposable consumerism. This triggers the thinking that in order for all cultures to survive, reducing life’s frivolities while adding substance contributes positively, no matter the field of endeavor.


11. Byun, Kyung-Sup , Yellow Cross, Acrylic on Canvas

Byun attempts to break down the barriers of one’s inner life, and the world outside, while leaving the narrative open to interpretation in “Yellow Cross.”


12. Mark Eaton, Afternoon, Digital Print

Mark Eaton’s photography, often nudes, reminds us that beauty remains an integral part of art, while also an area that can unite diverse cultures.


13. Cho, Kang Hyun, Landscape08, Acrylic on Canvas

The softness of watercolor achieved in acrylic in “Landscape08,” moves the traditional watercolor onto canvas. By mixing classical style with a contemporary medium, Cho reminds us how much of the important concepts of the past can be applied to make a better present.


14. Evelyn Curry, Forbidden City, Photo Collage

This wide-angle take on one of the most familiar Asian tourist meccas is an excellent example of how Evelyn Curry uses photo collage to make paintings. I can’t wait to see if she paints with the sensibilities of a photographer, or not.


15. Nate Rood, Inuit Girl, Mixed Media

Appropriately, Rood uses mixed media to construct the complex life of a polar existence. Cubist underpinnings (Kwang Suk Park also has this element) challenge viewers to see an ancient culture through a modern lens.


16. Na Myung Kyu, Existence-Composition, Mixed Media

Questions swirl as to what the subject is doing. Uncertainty, and the frailty of paper secured by Plexiglas and bolts combine to make us remember that existence is in need of a bodyguard.


17. Mi-Hee Ju, Karma, Thin Wire

When toothpaste turns into a martini glass, then a skate then a guitar, then all are used as the border of a woman, and it happens without forethought, twisted from Ju Mi Hee’s fine tuned karmic spinning wheel, many conversations will start. It’s also mannerist pop art for those keeping score at home.


18. Jae-won Yoon , Lily-2011-07, Silver & Copper

This sublime piece uses ancient Japanese Mokumegane style, brought forward by CAD/CAM techniques mixing the past and present in elegant wearable art.


Sung Woo Kim, The Paradise Engine, Installation

This installation, though not pictured in the poster above, is another highlight of the exhibit. Can manual labor cause one’s mate to do handstands? Playfulness and diligence, two of Korea’s lasting cultural norms, come to life in this clever sculpture.

Eunam Museum, Gwangju 은암미술관, 광주 광주 동구 대의동 32 번지 우)500-050

The phone number:

062-231-5229

The museum website:

Eunam Museum of Art




2011/08/25 08:24 2011/08/25 08:24

Clearing After Rain in Mt. In-wang

Posted by Angela (at 2011/08/16 08:30)

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인왕제색도 (Inwangjesaekdo), meaning "Clearing After Rain in Mt. In-wang" or "After Rain at Mt. In-wang" in Korean is a landscape painting. The famous Jeong-seon painted it during the reign of Chosun Dynasty King Youngjo in 1751. It is the 216th National Treasure of Korea and was designated by the South Korean government on August 6th, 1984. The painting is currently held and managed by the Lium Art Museum in Seoul

Mt. In-wang is a peak near Seoul and is where Jeong-seon lived during the later years of his life. Jeong-seon was particularly fond of Mt. In-wang, from which he produced a great masterpiece – 인왕제색도 (Inwangjesaekdo)

It is 138.2 centimeters in width and 79.2 centimeters in height and painted on one roll. This scene depicts the mountain after a rain on a summer day when the fog began to thicken in the valley below. Gyeomje Jeong-seon didn't miss the chance to draw it into a piece of work with elaborate skill which looks so lifelike. The artist used heavy and repetitive top-down brush strokes with India ink to depict the mountain and rocks wet with rain. This kind of brush stroke and the thick layering effect of the ink also emphasize the immensity and heaviness of the mountain. The artist uses black ink to depict the ridges and trees which look like unraveling threads. In stark contrast with the peaks of the mountains, the fog in the valley is white.

Among his 400 pieces of work, this is acknowledged as the most prominent masterpiece with extreme creative skill.

2011/08/16 08:30 2011/08/16 08:30
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Art Gwangju, the international art fair sponsored by the Gwangju Biennale, will run from Wednesday, September 1 to Sunday, September 5, 2010.

Uniting fine arts and contemporary design galleries from cities like London, New York and Paris, Art Gwangju is poised to be one of the most exciting art events in Korea.  With the opening of the Gwangju Biennale within the same week, Art Gwangju has already garnered the attention of art professionals and art collectors from all over the world.


Translator Work Conditions
Location: Kimdaejung Convention Center
Hours: 1 September 2010 ~ 5 September 2010: during the fair’s hours of operation
Salary: 100,000 KRW/ day
Job Description: Interpret translation, informing guests,
Job Requirements:
Applicants must be neat and dress in appropriate attire.  
Applicants must also be in good health and be service orientated.  
Applicants who have worked as curators, art professionals or in an art related field and/or have docent experience will be highly preferred.  
Must be highly proficient in Korean and one of the following languages; English, Chinese or Japanese.  

Number of translators to be hired: less than 10


Docent Work Conditions
Location: Kimdaejung Convention Center
Hours: 31 August 2010 ~ 5 September 2010: during the fair’s hours of operation
Salary: 70,000 ~ 100,000 KRW/ day
Job Requirements:
Applicants must be neat and dress in appropriate attire.  
Applicants must also be in good health and be service orientated.  
Applicants who have worked as curators, art professionals or in an art related field and/or have docent experience will be highly preferred.  
English speaking docents must be highly proficient in English.  

Number of docents to be hired
Korean speaking docents: less than 10
English speaking docents: less than 10


Application documents and process
1 Resume (including University major, Experience, Foreign language test results, Photograph taken within the past 3 months)
1 Cover letter (describing your experience and interests)

Email your resume and cover letter in Word or Hangul format to info@artgwangju.com
Subject of email must be your name and attached file(s).  
Ex. Kim Young Su (Translator) Resume


Application Period: 15 July 2010 ~ 6 August 2010


After reviewing all applicants, there will be a second round of interviews.  Only those that have been chosen for interviews will be contacted and an interview date will be scheduled.


More information can be found at the notice board on artgwangju.com.


2010/07/13 11:36 2010/07/13 11:36